Welcome to the world of constructivism and, at the same time, deconstructivism. This modular grotesk typeface offers a fresh approach to design, built entirely without curves — no Béziers needed. This presented a unique challenge in maintaining all necessary glyphs. The story of this typeface began with a poster for a 2000 gig featuring legendary UK DJ and producer Carl Cox. The idea was to create a decorative grotesk with gaps, yet not a stencil. This eventually led to the development of a fully filled version, reflecting the laser-lit energy of house and techno party culture. The result is a typeface collection with two families: one with gaps and the other without. The variable font file allows control over the width of the gap.